作者简介： 罗纳德•戴维斯，美国南卫理公会大学名誉教授。著有：《魅力工厂：好莱坞大制片制度揭秘》等。

Poised between hope and despair for a humanity facing an urgent communication crisis, this work by Vilém Flusser forecasts either the first truly human, infinitely creative society in history or a society of unbearable, oppressive sameness, locked in a pattern it cannot change. First published in German in 1985 and now available in English for the first time, Into the Universe ...(展开全部)

威廉·弗卢塞尔（Vilém Flusser），巴西籍哲学家、媒介理论家，1920年出生于布拉格的犹太家庭，第二次世界大战爆发后经英国流亡巴西，1961年后以葡萄牙语、德语、法语等多种语言出版论著。他的作品包括《摄影哲学的思考》《技术图像的宇宙》《人类传播中的惊奇时刻》等。 译者李一君，华中科技大学新闻与信息传播学院讲师，中国传媒大学传媒艺术学博士。

威廉·弗卢塞尔（Vilém Flusser），巴西籍哲学家、媒介理论家，1920年出生于布拉格的犹太家庭，第二次世界大战爆发后经英国流亡巴西，1961年后以葡萄牙语、德语、法语等多种语言出版论著。他的作品包括《摄影哲学的思考》《技术图像的宇宙》《人类传播中的惊奇时刻》等。 译者李一君，华中科技大学新闻与信息传播学院讲师，中国传媒大学传媒艺术学博士。

Poised between hope and despair for a humanity facing an urgent communication crisis, this work by Vilém Flusser forecasts either the first truly human, infinitely creative society in history or a society of unbearable, oppressive sameness, locked in a pattern it cannot change. First published in German in 1985 and now available in English for the first time, Into the Universe ...(展开全部)

Words and Images contains twenty-three essays based on papers presented at an international symposium held at the Metropolitan Museum of Art in May 1985 to celebrate the gifts and promised gifts of Chinese calligraphy and painting from John M. Crawford, Jr. In these essays senior scholars from Asia and America express a wide range of perspectives on an issue that is central to ...(展开全部)

Words and Images contains twenty-three essays based on papers presented at an international symposium held at the Metropolitan Museum of Art in May 1985 to celebrate the gifts and promised gifts of Chinese calligraphy and painting from John M. Crawford, Jr. In these essays senior scholars from Asia and America express a wide range of perspectives on an issue that is central to ...(展开全部)

简介：公主请看什么都搞一点，因为不想再开一本所以组拟城拟也在封面来自《苏丹的游戏》梅姬二创

简介：公主请看什么都搞一点，因为不想再开一本所以组拟城拟也在封面来自《苏丹的游戏》梅姬二创

This text explores the large body of sculpture, paintings and other religious imagery produced for China's common classes from the third to the sixth centuries CE. In contrast to the works made for imperial patrons, illustrious monastics, or other luminaries, these ordinary images - modest in scale, mass-produced, and at times incomplete - were created for those of lesser stand...(展开全部)